Exquisite Duet w/ Howie Good and Agnes Marton

Check it out at JMWW.

Howie Good, a journalism professor at SUNY New Paltz, is the author of the forthcoming poetry collection The Middle of Nowhere (Olivia Eden Publishing) and the forthcoming poetry chapbooks The Complete Absence of Twilight (Mad Hat Press), Echo’s Bones and Danger Falling Debris (Red Bird Chapbooks), and An Armed Man Lurks in Ambush (unbound CONTENT). He co-edits White Knuckle Press with Dale Wisely.

Agnes Marton is a Hungarian-born poet. She has been working in publishing since 1991. She participates in exhibitions and art projects: ‘Opposition’ (USA), ‘Flow’ (Switzerland), ‘So What’ (New Zealand), ‘Stone Project’ (USA), ‘Arts et Jardin’ (France), ‘Windows for Burns Night’ (UK), ‘Dharmic Angels’ (UK), ‘European Sculpture: Methods, Materials, Poetry’ (Sweden), ‘Appeal 2012’ (South Africa), ‘Wool Symposium’ (Spain). Most recent publications: ‘Sculpture/poésie’ (France); ‘Gateway’ (USA); ‘Estuary: A Confluence of Art and Poetry’ (USA, poetry editor and contributor); ‘Penning Perfumes’ (UK), ‘Poems for Pussy Riot’ (UK), ‘Binders Full of Women’ (UK), ‘Shorelines’ (UK), ‘For Rhino in a Shrinking World’ (South Africa), and ‘Le monde n’est pas rond’ (Luxembourg). Recent commissions include ‘Double Bill’ (UK), ‘Glitter is a Gender’ (UK), and ‘Lines Underwater’ (UK).


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